Why is kino the protagonist of the pearl

Juana brings Kino , half conscious, into the house and wipes off his blood. Kino reports that he could Chapter 5. Kino awakes in the middle of the night to see Juana arise from the bed mat, Kino hisses at his wife with bared teeth, while Juana looks back with brave eyes. Juana, meanwhile, lifts herself up and reassures herself that Kino is necessary for her survival. She acknowledges and appreciates the differences between the values of Following after Kino , Juana comes across the pearl.

She is considering whether she ought to try disposing of Seeing that Kino has killed the other figure, Juana recognizes that she and Kino have left the life Kino begins to complain of having lost the pearl, but Juana silences him by presenting it Kino instructs Juana to get Coyotito from the house while he brings the corn and prepares The sounds and smells of morning activity arrive and Kino , determined, runs towards the house, only to find it engulfed in flames.

Juana comes towards Kino tells Juan about the attacks and the murder he committed in self-defense, to which Juan Kino and Juana sit in silence during the day and hear what the neighbors are saying Kino says that he intends to go north and Juan informs him that men from the Kino and Juana leave the house before the moon has come out. Juan calls to his Chapter 6. In strong wind and under a black sky, Kino and Juana begin to follow the sandy road that leads to Loreto, the home of Something ancient and animal awakens within Kino and exhilarates him.

The moon rises and the wind has calmed. Without the wind to erase their tracks, Kino tries to follow an existing wheel rut. Coyotes and owls make their night noises. Evil lurks about. Kino and Juana walk all night, and Kino hears the song of the pearl and the At dawn, Kino finds a clearing by the road to sleep in for a bit.

While Juana nurses Kino watches ants at his feet as he eats a corncake Juana has offered him. Juana and Kino discuss the likelihood of whether they are being followed. Kino is certain that they will Kino declares aloud that he will have a rifle, but can see in the pearl only Kino puts the pearl back and the music of evil interweaves again with the music of Juana is playing with Coyotito and Kino is lightly asleep when Kino cries out in a bad dream and then sits up Kino tries to hold his breath as he recognizes these men as inland trackers, out to Kino decides that he must lunge for the horseman and grab his rifle, and digs his Kino backs up, considering it hopeless to cover his tracks, and suggests to Juana that maybe Kino tells Juana to go north to Loreto or Santa Rosia while he leads the trackers Kino walks in a zig-zag to throw off the trackers, and sets out for the spot Kino and Juana arrive at a little spring, with water bubbling out of the stone and Kino looks down the mountain and sees the trackers scurrying up, ant-like.

Kino pictures the position of the men, and then returns to Juana and informs her that The moon comes up before Kino had hoped, and Coyotito cries a little from the cave. The trackers hear the cry Kino leaps out and the gun fires. The narrator reports that all the people of La Paz remember the moment when Kino and Juana came back to the town as the sun was setting.

They walked not They reach the Gulf shore, not looking towards the ruined canoe, and Kino lays down the rifle and takes out the pearl, offering it to Juana. She insists Kino and Juana stand next to one another and the music of the pearl fades away. Cite This Page. Home About Story Contact Help.

Previous Characters. Kino Character Analysis. Likewise, Kino has great respect for the traditions of the village. Even though his own canoe has been destroyed and even though there are other canoes on the beach for the taking, he would never consider taking someone else's canoe; to him, a canoe is a part of one's family heritage and, as such, it is sacred. The destruction of his own canoe, then, had to be perpetrated by someone who was not a member of the village.

Kino's basic response to life and his basic emotions are not always expressed directly. For centuries, Kino's ancestors have composed or created songs to express every possible emotion and to fit every possible occasion. Consequently, from the opening to the closing pages, the songs which Kino hears express his own basic emotions. At the beginning of the novel, as he watches Coyotito playing and Juana going about her morning chores, Kino hears the Song of the Family; the mere fact that he hears this song represents the love and contentment that he feels but cannot or does not express verbally.

Likewise, throughout the section, Kino can express his own fears only by physical actions smashing his fist on the doctor's door or by the songs which he hears — the Song of the Enemy, and the Song of Evil, and others. At the end of the novel, the readers have a sense that through Kino they have experienced all of the emotions common to mankind — the contentment of the family, the joy and elation of discovering a great treasure, the fears when the family's lives are threatened, the anxiety of being hunted, and the tragedy of losing a loved one.

Who are the three important characters in the Pearl? Who are the minor characters in the Pearl? What does Kino love in the pearl? What does Juana symbolize in the pearl? What does Kino do when he sees the Pearl? After Kino finds a great pearl, he becomes increasingly ambitious and desperate in his mission to break free of the oppression of his colonial society.

After her prayers for good fortune in the form of a giant pearl are answered, Juana slowly becomes convinced that the pearl is in fact an agent of evil. Juana possesses a simple faith in divine powers, but she also thinks for herself.

Unfortunately for her and her child, Coyotito, she subjects her desires to those of her dominant husband and allows Kino to hold on to the pearl. Because Coyotito is an infant, he is helpless to improve his situation and thus at the mercy of those who provide for him. He is sympathetic to Kino and Juana, however, putting them up when they need to hide and telling no one of their whereabouts.